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HIROSHI SATOTIME
HIROSHI SATO TIME Japanese record cover

JAPANESE ORIGINAL PRESSING · 1977

HIROSHI SATO佐藤博

TIME

Hiroshi Sato’s second album drifts between mellow soul, jazz-funk and soft-rock reverie. Rhodes, percussion and an all-star rhythm section give TIME the loose warmth of a private studio session caught in late-afternoon light.

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FULL TRACKLIST

SIDE A

  1. A1Time0:55
  2. A2Joint4:19
  3. A3Minami Kaikisen4:20
  4. A4Choito2:41
  5. A5Yamate Hotel4:00
  6. A6Bad Junky Blues3:52

SIDE B

  1. B1Mezame0:30
  2. B2Akanegumo no Machi3:00
  3. B3Black Coffee3:25
  4. B4Island Fantasy2:40
  5. B5Kage ni Mukatte5:23
  6. B6Saigo no Tejina3:42
  7. B7Merry-Go-Round2:43

RELEASE DETAILS

LABEL
Nippon Columbia
COUNTRY
Japan
FORMAT
LP · 33⅓ RPM
CATALOG NO.
LX-7009
PRESSING
Japanese original

ABOUT THIS ALBUM

Released in January 1977, TIME was Hiroshi Sato’s second solo album and reveals a very different side of his music from the electronic sophistication of Awakening five years later. Here, Sato is still working largely inside an organic studio-band setting, surrounded by an exceptional group of musicians including Haruomi Hosono, Kenji Takamizu, Tatsuo Hayashi, Shuichi “Ponta” Murakami, Nobu Saito, Pecker, Hirobumi Tokutake, and Chuei Yoshikawa. Sato himself plays piano, clavinet, Hammond organ, synthesizer, guitar, percussion, and other instruments, already demonstrating the multi-instrumental control that would become central to his later work. The album moves between mellow singer-songwriter material and funkier tracks such as “Bad Junky Blues,” while “Minami Kaikisen,” “Yamate Hotel,” and “Saigo no Tejina” show his gift for warm, harmonically rich songwriting. TIME is especially valuable because it captures Sato before drum machines and digital production reshaped his sound. The core musical qualities are already present—soft soul harmony, keyboard-centered arranging, and understated groove—but expressed through a looser, highly accomplished live ensemble.