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YUMI MATSUTOYAPEARL PIERCE
YUMI MATSUTOYA PEARL PIERCE Japanese record cover

JAPANESE ORIGINAL PRESSING · 1982

YUMI MATSUTOYA松任谷由実

PEARL PIERCE

Yuming’s 1982 bestseller places intimate adult stories inside immaculate studio pop, moving from lunchtime Tokyo to evening air with effortless melodic authority.

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FULL TRACKLIST

SIDE A

  1. A1Yokoso Kagayaku Toki e4:39
  2. A2Pearl Pierce5:41
  3. A3Lunchtime ga Owaru Koro4:00
  4. A4Focus5:13
  5. A5Yusuzumi4:28

SIDE B

  1. B1Watashi no Lonesome Town4:06
  2. B2Dang Dang5:29
  3. B3Mukashi no Kare ni Au no Nara3:39
  4. B4Shosoku4:23
  5. B5Wasurenaide ne4:16

RELEASE DETAILS

LABEL
Express
COUNTRY
Japan
FORMAT
LP · 33⅓ RPM
CATALOG NO.
ETP-90175
PRESSING
Japanese original

ABOUT THIS ALBUM

Released in June 1982, PEARL PIERCE captures Yumi Matsutoya at the height of her ability to turn ordinary adult relationships into sharply observed urban pop. The album’s sound is elegant and controlled, but the writing is often emotionally unsentimental. “Shinju no Pierce” centers on the small physical object left behind after a relationship, transforming jewelry into a precise symbol of memory and loss. “Lunch Time ga Owaru Koro” and “Watashi no Lonesome Town” bring everyday city life into the album, while “DANG DANG” adds a tougher rhythmic edge. The record was arranged by Masataka Matsutoya, whose production uses keyboards, guitar, rhythm sections, and carefully controlled studio space to frame Yumi’s songwriting without overwhelming it. Compared with the more resort-oriented imagery common in early-eighties Japanese pop, PEARL PIERCE feels firmly metropolitan and adult: offices, loneliness, former lovers, and private recollection take precedence over fantasy. That emotional specificity is what makes the album endure. Its sophistication comes not from musical complexity alone, but from the way arrangement and lyric detail turn familiar experiences into highly visual scenes.